Blessed Unrest

The 2012–2013 Season

Balkan Tour of The Sworn Virgin

The Sworn Virgin

The Sworn Virgin is Blessed Unrest's second original, bilingual (English/Albanian) collaboration with Teatri Oda. This fall we finished developing the play and performed at Teatri Oda, then toured in Kosova, Macedonia, and Albania. We are planning a New York production in 2014.

For stories, video, and photos of our adventure, check out our blog.

The Sworn Virgin is based on the ancient Albanian tradition now beginning to vanish, in which women take, or are forced to take, an oath of lifelong celibacy in exchange for the rights and responsibilities of living as men. In the play an aging cobbler in a mountain village is losing his ability to work while becoming obsessed with his collection of guns. His only son comes home for a visit with his new American wife bearing news that puts the family in a financial crisis and pushes his sister to make a shocking decision. Meanwhile Madeleine Albright is in town for the unveiling of a statue in her honor, and when an American soldier and a love struck New York Times reporter arrive on the scene, chaotic misunderstandings abound and secrets are revealed.

We believe that artistic collaboration has the power to break down cultural barriers and build international bridges, and we’ve been collaborating with Oda since 2005. Our last play, Doruntine, was widely acclaimed in New York and on our 2009 Balkan tour.

Learn more about our past work.

This project is supported by grants from CEC ArtsLink, US State Department Embassy in Prishtina, Kosova Ministry of Culture, and by the generosity of individual donors.

CEC ArtsLink

Eurydice’s Dream

Eurydice's Dream

Burr and Villani Receive Innovative Theatre Award

Burr and Villani win NY IT Award

At the annual Innovative Theatre Awards ceremony on Monday, September 30, 2013, Jessica Burr and Sonia Villani were honored with the New York Innovative Theatre Award for Outstanding Choreography/Movement for our original devised play Eurydice’s Dream.

March 28 – April 22, 2013

Lovers are torn between two worlds, lost and found in a desolate land, and shaken to the core by a shocking encounter. Eurydice's Dream is an original piece conceived by Blessed Unrest's award-winning Artistic Director Jessica Burr. Rooted in the myths of Orpheus/Eurydice and Echo/Narcissus, the multiple narratives of wayward love are woven together with humor, precision, and sweat.

Fresh from our acclaimed international tour of the Balkans, we dove into the physically-driven process of creating Eurydice's Dream. The writers, director, designers, and our diverse, multitalented cast are vigorously collaborating, building a work that is strikingly beautiful and emotionally powerful.

The Interart Theatre
500 West 52nd Street, NYC
(just west of 10th Avenue)

Running time: 1 hour, 30 minutes

  • Directed and choreographed by
    Jessica Burr
  • Text by
    Teddy Jefferson and Matt Opatrny
  • Created by the ensemble
  • Featuring
    Andrew Dahl
    Marco De Ornella
    Jason Griffin
    Tatyana Kot
    Darrell Stokes
    Sonia Villani
    Jessika D Williams
  • Production Stage Manager
    Jaimie Van Dyke
  • Lighting and Set Designer
    Benjamin C Tevelow
  • Costume Designer
    Summer Lee Jack
  • Sound Designer
    Damen Scranton with Jaimie Van Dyke
  • Sound Engineer
    Rich Johnson
  • Scenic Painter
    So Mi Ko
  • Production Assistant
    Kate Kendrick
  • Press Representative
    Dale Heller, Heller Highwater LLC

“Blessed Unrest's original creation Eurydice's Dream is a powerful abstract journey. There is far more dance, emotion, movement and skin onstage than text. I love the physical ingenuity and visual artistry of this company’s work, and this show lived up to my high expectations.

“The physical energy onstage is incredible. There are always bodies moving in creative and captivating ways. It's deliciously overwhelming to try to take it all in.

“Perhaps the biggest reason to see this play is to behold how strong each member of the ensemble is individually and how bravely they work together. Their bodies are ridiculously dexterous and they deftly handle each other's bodies like magical extensions of their own.

“…I also respect how much director Jessica Burr trusted the abstractness of the piece and just went there without handholding or apology. It's exciting to see a theater company just trust their audience and throw out a challenge like that. It's also, most basically, a dream play. I think that was the most enjoyable aspect of the whole thing for me. It is a unique experience to be let into the non-literal dream-world of these mythical characters, and once there, to be allowed to share the beauty and pain of their dreams.”

“It's tremendously impressive. …from beginning to end one never wants to stop looking—even blinking at Eurydice's Dream seems a nuisance.

“It's to the choreographer's credit that much happens at once in Eurydice's Dream but one can take it all in—there are no conflicts about ‘where to look’ as in a multi-ring circus, it's all there for you as if it's all a part of you.

“…Eurydice's Dream is tone perfect in its vision is of impermanence and transition as fundamental features of love and life. It's filled with transformations and yet holds on to its story line. Ovid, the famous teller of the classical myths in his Metamorphoses—transformations of form and being—would love it.”

“The show moved me, it took me on a journey, allowing me to take and interpret the story in my own way. I felt like an excited puppy, finding all these new trails to follow, stimulated by all the actors, who were enthralling to watch. Such commitment, energy, and strength, physical and mental. An amazing night of theatre, thank you!”

~ Rachel Jane Conn, audience member

“I loved the intensity, the style, the emotion and the heat. So much human emotion. Real interactions in mythic settings. You brought it all together in an eye popping, room filling, excitement filled work. I was honored to be there.”

~ Tom Mallon, audience member

Eurydice's Dream has been made possible by SHS Foundation; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council; the Interart Theatre Development Series; and the generosity of individual donors.

Original photography by Alan Roche

400 Parts per Million

400 Parts per Million

June 1–3, 2013

In the spirit of our past Come If You Dare experiments, 400 Parts per Million is a savage and exuberant exploration of a love nearly missed. We invite you to catch a glimpse of work-in-progress on this new ensemble-built creation.

The Interart Theatre
500 West 52nd Street, NYC
(just west of 10th Avenue)

Running time: 45 minutes

  • An original creation by Blessed Unrest
  • With text by
    Andrew Dahl
    Charles L Mee
    Damen Scranton
  • Director
    Peter Richards
  • Associate Director
    Jessica Burr
  • Stage Manager
    Stage Manager
  • Sound Designer
    Damen Scranton
  • Lighting Designer
    Gillian Wolpert
  • Created and Performed by
    Sora Baek
    Emma DeCorsey
    Lea Antolini-Lid
    Elisa Marti
    Sevrin Anne Mason
    Tjasa Ferme
    Sonia Villani
    Nathan Richard Wagner